PPT-CAMERA SHOT GUIDE: Framing, Angles, and Movement

Author : min-jolicoeur | Published Date : 2018-11-21

When describing camera positions or choosing them yourself you have to think about three important factors The FRAMING or the LENGTH The ANGLE If there is any

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CAMERA SHOT GUIDE: Framing, Angles, and Movement: Transcript


When describing camera positions or choosing them yourself you have to think about three important factors The FRAMING or the LENGTH The ANGLE If there is any MOVEMENT involved When describing camera positions or shots different terms are used to indicate the amount of subject matter contained within a frame how far away the camera is from the subject and the perspective of the viewer Each different shot has a different purpose and effect A change between two different shots is called a CUT. Definition. the . process of capturing moving images on . film. (or digitally). everything . that has to do with cameras and lenses, with film/film stock (and its digital equivalents), exposure and processing of film/digital . Let’s explore how to storyboard. Storyboarding. This is where you plan out your shots for each scene. . By doing this you will ensure you do not waste valuable production time.. Not only do you plan out the shot, but the sequence, angle, and what shot you want to capture.. 180. o. . Rule . When two people are in a conversation, you must draw a line between the two actors and . NEVER. move the camera across this line. Keeps perspective. If you cross the line the actors flip position. Cinematography. Camera Techniques: . What to Know. Key areas. Shot Type. Camera Angles. Camera Movement. Focus. Production Elements. Production . elements . include everything that . you can see . or hear on . Shot Types. Camera Angles. Focus. Lens Techniques. Camera Movement. Shot Types . Extreme Long-Shot (XLS. ). Wide Shot. Establishing Shot. AKA full or wide . shot or establishing shot. Shows entire subject (person or object) from a distance. 2.12. Purpose. Identify cinematic techniques and explain the effects in visual texts.. Cinematic Techniques. This handout is . precious. and must be kept safely in your binder behind HANDOUTS throughout this unit.. Positioning. Camera. Angles. Shot Size. Lighting. Colour. Camera Movement. Camera Position and Angle. Low Angle. High Angle. Bird’s Eye View. Worm’s Eye View. Low Angle. Low angle. shots, where the camera points upwards from below, make people (and things) look bigger, more courageous and more important.. Film Analysis . Much like how a writer uses stylistic devices to achieve specific effects in their writing, directors use cinematic techniques in their films for specific purposes. . In order to analyze a film through critical viewing like you do a text in critical reading, you must understand the tools that filmmakers use to create their visual masterpieces. . is what we know as a CAMERA ANGLE. It . gives emotional information to an audience, and guides their judgment about the character or object in shot. The more extreme the . angle, the . further away it is from eye . Mise-en-scène is generated by the construction of shots and the ways that they lead to visual coherence, across the edits from shot to shot. . It includes all the elements in front of the camera that compose a shot: lighting; use of black and white or color; placement of characters in the scene; design of elements within the shot (part of the process of production design); placement of camera vis-àvis characters in the set; movement of camera and/or actors; composition of the shot as a whole—how it is framed and what is in the frame. Even music may be considered part of mise-en-scène. While not seen, at its best music enhances the visual and narrative construction of the shot. . Mise-en-scène is generated by the construction of shots and the ways that they lead to visual coherence, across the edits from shot to shot. . It includes all the elements in front of the camera that compose a shot: lighting; use of black and white or color; placement of characters in the scene; design of elements within the shot (part of the process of production design); placement of camera vis-àvis characters in the set; movement of camera and/or actors; composition of the shot as a whole—how it is framed and what is in the frame. Even music may be considered part of mise-en-scène. While not seen, at its best music enhances the visual and narrative construction of the shot. . In . the case of a film the person who gets the credit is chiefly the . director. . . This person has overall artistic control (or is supposed to). . The . person who co-ordinates the business aspects (ensuring the film meets its budget, representing the studio) is the producer. . -Dr. F. Marcus-. What is . Mise. -en-Scene?. The dictionary defines . mise. on scene as. : . “the process of setting a stage, with regard to placement of actors, scenery or properties.”. Mise. -en-scene...was originally a French theatrical term, meaning . Christopher Ham (. Christopher.ham@ukaea.uk. ). James Harrison and the MAST Team. MAST . High speed visible camera data. Eulerian Video Magnification . Three MAST shots. Disruptions caused by filamentary eruptions.

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