PPT-Film Analysis Who’s who and camera angles

In the case of a film the person who gets the credit is chiefly the director This person has overall artistic control or is supposed to The person who coordinates the business aspects ensuring the film meets its budget representing the studio is the producer . Ocean System has been designing, building and distributing high quality submersible marine equipment for nearly 25 years. In this time we have established our products and company reputation as industry leaders in both quality and value. Cinematography:. Camera shots, movement and angles. Establishing Shot. Quite simply this shot is used by a director to establish the location/setting of the film. It could be a shot of New York for example. Matthew . Tardiff. Matt . Smedra. Nick . Martocchio. Plans and coordinates the filming of a movie. Controls the camera and lighting. The Role of a Cinematographer. Controls the artistic and dramatic parts of the film. Definition. the . process of capturing moving images on . film. (or digitally). everything . that has to do with cameras and lenses, with film/film stock (and its digital equivalents), exposure and processing of film/digital . Description. An eyelevel angle is a camera angle in which the camera is placed at the actor and actresses' eye.. This type of shot is an extremely common shot because of it’s neutral effect.. Sources. Let’s start by looking at what I call the heading of the report.. Laboratory: . – The name of the lab that will process the film.. Prod. Co:. - The name of the company producing the film.. Prod. Title: . 180. o. . Rule . When two people are in a conversation, you must draw a line between the two actors and . NEVER. move the camera across this line. Keeps perspective. If you cross the line the actors flip position. 2.12. Purpose. Identify cinematic techniques and explain the effects in visual texts.. Cinematic Techniques. This handout is . precious. and must be kept safely in your binder behind HANDOUTS throughout this unit.. The Academy of Motion Pictures Arts & Sciences Curriculum . Unit 1 - Classroom Unity . Freedom Writers. Unit 2 - Introduction to Film History. The Jazz Singer . Singing in the Rain . The Wizard of Oz . . Differences Between Stage and Film . Acting. 1. . Material. . Theatrical material is available and accessible to the public. The material has most likely been produced many times.. Film scripts are original works. The material is new to both the actor and the audience. . 2.12. Purpose. Identify cinematic techniques and explain the effects in visual texts.. Cinematic Techniques. This handout is . precious. and must be kept safely in your binder behind HANDOUTS throughout this unit.. Protractor: . What do you notice? . Task One: . Look at the protractor. Write down everything that you notice about the protractor. Try and come up with at least . 10 facts. Think about . number patterns . you. Codes & . C. onventions . of . T. railers. What are the codes and conventions (typical features) of film trailers?. Create a checklist of features you expect to see or be told in every trailer.. -Dr. F. Marcus-. What is . Mise. -en-Scene?. The dictionary defines . mise. on scene as. : . “the process of setting a stage, with regard to placement of actors, scenery or properties.”. Mise. -en-scene...was originally a French theatrical term, meaning .