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Chapter 6. Figured Bass Exercise. What are you th...
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Here is a place where I use the ii-V progression t...
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GOOD GOVERNANCE. A CHANGE OF FOCUS. A DIFFERENT D...
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Marc Moonen. Dept. E.E./ESAT-STADIUS, KU Leuven. m...
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D G C F % % &'('('('(') &'('('('(') ...
Use Approach Tones In the preceding example, the ...
Modulation via chord V7 is only one specifi ...
a Historical . Perspective . A presentation by Ma...
The 6/4 and Other Linear Chords. The 6/4 and Othe...
The introduction. This project will show all of t...
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The Pre-dominant . II and II. 7. Chords. The Sup...
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Work on p. 779 #44 – 45. Bellringer. Pop Quiz!!...
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a mini course on aerodynamics . Douglas S. Cairns...
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The I. 6 . and IV. 6 . as Embellishing Chords . C...
and Minor Modes. Musical Math Moods. Arjan Khalsa...
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