Chord Circle published presentations and documents on DocSlides.
Here is a place where I use the ii-V progression t...
Mayur. . Naik. Intel Labs, Berkeley. PLDI 2011 T...
Tom O'Hara. Computer . Science Department. Texa...
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D G C F % % &'('('('(') &'('('('(') ...
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The 6/4 and Other Linear Chords. The 6/4 and Othe...
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The Pre-dominant . II and II. 7. Chords. The Sup...
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Peter Triantafillou and . Ioannis. . Aekaterinid...
Why we need Cadences. A cadence is where the musi...
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Julian Urrego & Michael Intindola. Scope. Des...
Chapter 6. Figured Bass Exercise. What are you th...
The I. 6 . and IV. 6 . as Embellishing Chords . C...
and Minor Modes. Musical Math Moods. Arjan Khalsa...
Perfect Cadence . : Strong final sound usually ...
Chords and Cadences. CHORDS I and V. In . much Ba...
chord sequences via lyrics. Tom O'Hara. CS Adjunc...
Kostka. /Payne Chapter 3. Triads!. Tertian. :. ...
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3-in-1 Creative Tools . Using Song Analysis. Inst...
Triads and Chords. Triads. Tonal harmony makes us...
1. 2. 3. 4. 1. 2. 3. 4. D. A. E. 1. 2. 3. 4. Fret...
AP Music Theory. Mr. Silvagni. Mode Mixture. Mode...
Road Map for the Week. Tuesday. Intervals in musi...
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Presenter: Ryan . Vanek. Joist. BIM and System jo...
Mr. Silvagni. Scale degree tones. Stable tones â€...
Write out the three notes in . your 1. st. chord...
-Payne Chapter 16. Secondary Function Chords. Chor...
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