PPT-Developing a research agenda for digital game-based L2 lear

Jon Reinhardt U Arizona Why games Digital games have grown quite popular worldwide and are diversifying in genre types eg social games MMORPGs audiences eg older female design origin even language availability . Located at the USC Annenberg School for Communication the Lear Center builds bridges between eleven schools whose faculty study aspects of entertainment media and culture Beyond campus it bridges the gap between the enter tainment industry and acade . King Lear. Harold Bloom. “You could remove the Fool and Horatio and not alter much in the way of plot structures, but you would remove out surrogates from these plays, for the Fool and Horatio are the true voices of our feeling.” . By William Shakespeare. IV.i. . The heath. Enter EDGAR. . EDGAR. . Yet better thus, and known to be . contemn'd. ,. Than still . contemn'd. and . flatter'd. . To be worst,. The lowest and most dejected thing of fortune,. By: Christina, Jasmine, James, . Sabahat. and Jody. What is Allegory?. A story, picture, or play employing representation of abstract ideas or principles by characters, figures, or events in narrative, dramatic, or pictorial form. quarto- 1608. Folio – 1623- one of 33 plays. The Tempest . – Epilogue to Act V. EPILOGUE. SPOKEN BY PROSPERO. Now my charms are all . o'erthrown. ,. And what strength I have's mine own,. Which is most faint: now, 'tis true,. Tragedy. Dividing up the Kingdom. At the beginning. Lear is King of Britain. Gloucester (pronounced . Gloster. ) is a Duke. Both are in high positions “halfway between earth and sky”. This is a pre-Christian Britain. We now experience the full force of Lear’s madness. These next 126 lines are among the most emotionally powerful and conceptually challenging in all of Shakespeare’s plays, for the insanity has a strange kind of internal logic. Mixed in with the madness there are statements of great wisdom, born of suffering, and moments of real poignancy as the two battered old men recognize each other and reach out for companionship. . By William Shakespeare. IV.i. . The heath. Enter EDGAR. . EDGAR. . Yet better thus, and known to be . contemn'd. ,. Than still . contemn'd. and . flatter'd. . To be worst,. The lowest and most dejected thing of fortune,. KING LEAR. King Lear and sight. Lear begins the play as a man who has always made wise decisions. When he decides to divide his kingdom however, it is his first betrayal his ‘old fond eyes’, which have always previously allowed him to see reality and make appropriate decisions.. Motif. An element that recurs in a narrative or drama that has symbolic significance. Can be an image, phrase, act, word, sound or idea. A work can have more than one motif. Motifs tend to be concrete, while theme tends to be abstract. 13.04.2013. LECTURER. Dr. . Manimangai. Mani. Room : No. 4 . Muzium. . Warisan. . Melayu. , Blok C . Fakulti. . Bahasa. . Moden. . dan. . Komunikasi. , . Universiti. Putra Malaysia.. Mobile No.: 016-5316715. Making connections to . King . lear. Margaret Atwood. Canadian. Multi-talented. Morning in the Burned House. Father’s death. A. ging, mortality. “King Lear in Respite Care” Motif Activity. Listen to the poem as a class. . William Shakespeare, 1564-1616. Grammar school. Married at 18 to Anne Hathaway (shotgun marriage). Three children (. Hamnet. , only son). Started in the theatre around 1590. Referred to in 1592 publication. a. ge . During Shakespearean period the idea of the King giving up his kingdom to make way for the younger generation was considered absurd. Kings were chosen by God and were expected to reign until their death. .